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Doris Humphrey was notable for her carefully conceived and wholly original method and theory of dance, and her works were founded on both artistic philosophies and practical principles. Doris Humphrey’s work demonstrates an interest in natural cycles, processes, and phenomena. Studying Water Study Sheila Marion Water Study, choreographed by Doris Humphrey in 1928 , is described by dance writer Marcia B. Siegel as "still one of the most extraordinary works in American dance." In 1932 she married Charles Woodford (a merchant.) Humphrey, center, mentored many dancers after her company dissolved, including José Limón. She described this as "The arc between two deaths." Water Study (1928) Version from Garance Bréhaudat - YouTube It was a great success, offering classic, gymnastic and ballroom dance for children and ballroom dance for young adults. Doris Humphrey, pioneer in American modern dance and an innovator in technique, choreography, and theory of dance movement. The more dramatic the movement, the more dramatic the recovery s… Humphrey was an avid and talented student of dance from an early age. As such, it attempts to explore how a 'meta-practical' approach might combine with professional/creative imperatives specific to making new work in the professional context.
Other articles where Water Study is discussed: Doris Humphrey: Water Study (1928) incorporated her theory of fall and recovery and used only nonmusical rhythms (waves and natural human breath and pulse rhythms).
JSTOR®, the JSTOR logo, JPASS®, Artstor®, Reveal Digital™ and ITHAKA® are registered trademarks of ITHAKA.You can always find the topics here! All Rights Reserved. In 1917, after graduating from high school and teaching dance in Chicago for four years, she joined the Drama of Motion (1930) was themeless and also performed without music; it has been described as one of the first symphonic dances… The ‘Water Study' project is significant in that it tests the concept of 'reconstruction' itself, through engagement in the processes leading to a professional production. Though some of her work was about human concerns, she was often invested in exploring an ensemble of dancers that had “the architectural and impersonal attributes of the orchestra as distinguished from … Humphrey theorized that moving away from center should be followed by an equal adjustment to return to center to prevent a fall. Humphrey was a participant of the Federal Dance Project (FDP), created in the 1930s as part of Franklin Delano Roosevelt's Second New Deal. As previously stated, Humphrey had some very particular theories on the fundamentals of movement. The Art of Making Dances, a book Humphrey penned in the last years of her life, elucidates her theories of choreography. Her theory of Fall and Recovery was the center point of all her movement. FDP was the first national program created to financially support dance and dancers.In 1952 Humphrey started directing a new dance company for children called The Merry-Go-Rounders.Her theory of Fall and Recovery is still used to this day by many choreographers.Short in stature, Doris was no taller than 5'3" and had a slender build. Moreover, this idea was based in the change in center of gravity, balance and recovery. She had one child, a son named Charles Humphrey Woodford (born 1934. )Partly due to financial concerns Humphrey opened her own dance school, with her mother as manager and pianist, in 1913 at the age of 18. Posted on May 10, 2014 by eliassz.