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M43 is significantly larger than 1inch but according to you it's basically the same. A control dial and the shutter release are also up there.The Q.Menu interface is unchanged from the GH5. Did you check that?Not a first, A7s got a gold award too. The Panasonic HC-VXF990 4K not so much, not even close.I shot our DR wedge exposed for middle grey and all the ISO settings clipped the highlights at the same point.Yes, you're right, DR and latitude are pretty much the same thing. there is little money in m43.That's the drawback of over-interpreting still grabs from video: they tell you about how the camera is sampling its sensor, some information about detail capture and sharpening but nothing about the codec: how it retains information about motion, how effective the temporal noise reduction is, etc...@Richard Butler, thank you for that explanation. Those who are already invested on a GH5 would not change it for a marginal ISO improvement, those on A7sII would never give up at least 2-3 stops of higher ISO and IBIS for something like this.Basically, the GH5S can potentially be used in actual movie production, footage shot could be manipulated with relative ease in post production to match other studio cameras somewhat. Please make a rolling shutter comparison between GH5S, GH5 and A7sII :)As part of an update to our Buying Guides, we've crowned a new winner in the video category: the Panasonic Lumix DC-GH5S. The cost to benefit ratio of building a new line of larger sensored cameras, just to please a handful of fanatics who don't understand the benefits of what they produce, must be horrendous. By Greg Scoblete. It might sound like a small difference, but that’s four times the colour data of regular 8-bit video, for smoother gradations in tone and less risk of banding. @maxotics Gonna pick on one small detail.Canon 6D is used more for astrophotographySensor size is not weighted nearly as hard in video work flows as it is in stills. In video business they are still on top but soon will loose to Sony and Canon (when they start 4K business)As on the GH5, Panasonic recommends the use of V60 rated cards or faster for shooting 400Mbps video. Personally I think I will get one after waiting a little in case some issues show up. I am recording dark frames at these ISOs. When I switch between stills and movie modes, I have to change Photo Modes, which is a real problem when things are happening quickly. Hard to say if the results would be accurate/would even work on two different sensors.Thanks for clarifying. Meanwhile when 14-bit raw files are being recorded it possible to shoot at up to 11fps in AFS mode and 7fps in AFC mode.Panasonic GH5S Sample Image: ISO 1,600In a new move for a Panasonic G-series camera, each pixel on the GH5S sensor has two analogue circuits and this enables two base sensitivities (ISO 400 and ISO 2500). The problem most noobs run into (and I used to be like this myself) is that OMG EVERYTHING NEEDS TO BE SHOT AT T0.95...which is foolish. This really was a thorough review. This makes it much less appealing for handheld videography, unless you’re using a stabilised video rig. For stills photographers, it’s a different story – and the biggest turn-off for stills shooters will be the 10.2MP resolution. A large sensor has its place, and if you feel the need to shoot FF to get that little slice of focus, then great.