Unfortunately, my boxes had no leaflet attached.Here I used the following processing mode: FD: 12 minutes; CD: 17 minutes. Right now in one back I have velvia 50 in it right now.But like all the hardcore segments of any market, these slide film shooters are far outnumbered by casual, everyday shooters. Now they just need it in 120 and 4×5! Learned this the hard way! I do still think the “professional” tag comes with different implications today, but t’d be great to find out if the “Professional” tag is a holdover from the days when it did refer to the aging process. I managed a camera shop in the Seventies while working my way through school.
Through the entire decade I never shot one roll of color print film. He has an affinity for all things analog.
!“Looking at Ektachrome’s colors is like looking at a well-preserved painting by Titian himself, which makes most color offerings look like dime-store Fauvism by comparison.” hahaha As an art teacher an art major in college I like this one. From this, although I no longer shoot film, I don’t believe I could live with the new properties of Ektachrome; it’s simply not the film I knew. A keeper. It’s not even the cream of the crop professional tool like Fuji Provia 100F. Der Aluminiumrahmen besitzt sowohl ein Innengewinde als auch ein Außengewinde, welches die Aufnahme eines Objektivdeckels bzw. When shooting film, especially for movies, tone means everything. !I gotta try some of this, I used to shoot almost all Ektachrome before digital. Either way, it’s old stock. I completely agree with your analogy.Ektachrome’s specificity makes it hard to place among other color films. When the staff here at CP first heard whispers of an Ektachrome revival, we were happy, but skeptical. Is there a difference?All those worrying words spoken, best practices for shooting Kodak’s new Ektachrome are actually surprisingly simple. But if I really think about it, Ektachrome stands alone.The rerelease of Ektachrome was an important moment in the revival of film as a popular photographic and artistic medium, so we decided to give it some time before writing our impressions of the new emulsion. 81B: pale orange: 1.4: 1/3: Warming filter, slightly stronger than 81A. As you can see in the examples provided, there is a bit of a green-tone in the shadows and more of a blue-tone in the highlights, especially in the sky.Kodak’s Ektachrome is one of the best films in the world because of its unique tone and many filmmakers choose to use this all the time. I really hope they bring this to medium format.