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When I shoot color negative film, I generally overexpose it by 1-2 stops.
Color negative film has a lot of latitude and is very forgiving of overexposure. So if you’re asking what Kodak Ultramax 400 is, the simple answer is Kodak Gold 400 with a more comic book-sounding name. The only thing the lab could do to “correct” it would be to pull process it, meaning they would take it out of the chemicals sooner than normal. Overall though, it really does perform well in a variety of lighting situations, especially those with a lot of contrast.Since its ISO is 200, it’s considered a rather slow film, so you’ll need good light when using it. Kodak Gold 200 is also the perfect film to use to keep costs down.Being a consumer-grade film also means that it has a wide exposure latitude—plenty of room for mistakes. Indeed I moved to Vienna, and…Other than Fuji’s superior handling of reds, these two films produce nearly identical results.I almost never expose film at box speed, so to be fair when comparing these films, I metered with one camera to determine exposure, say 125 @ f8, then I manually bracketed two stops in either direction by adjusting only the shutter speed. I also usually use a closeup filter on any flower shots so that I can get a good closeup and still handhold my camera. Now as i know that fuji is that great i have to get some. If you have any other questions, I’m always happy to share!Honestly, since it has such a wide latitude, I usually wing my exposures with my in-camera light meter when shooting Kodak Gold, erring on the side of overexposure.Hi Daniel! The budget brothers. That’s because, as a consumer-grade film, it was and still is found at the drug store or the supermarket.I meter it at box speed or 160 ISO, and meter for the shadows or the midtones when using a handheld light meter.Its colors are saturated and rich and tend to be warmer than Fuji consumer films. There are several ways of doing that–one way, as you mentioned, is by rating your film at a slower speed. Before that I’ve shot a lot of Agfa Vista 400, since it was discontinued I needed another cheap film to test my new-to-me gear. I haven’t tried it, but after reading that, I will!If you like shooting in direct sunlight, Kodak Gold is fantastic for that and will still maintain details in the highlights.You can find it in rolls of 24 or 36 exposures for just a few dollars, but you should always try to get it with 36 exposures because when you go to develop it, the price is the same no matter how many exposures per roll. I am from San Diego, CA... where I work as a registered nurse and if I'm not working I'm either surfing, climbing/hiking or reading a book.…The only way to really tell is to take images with the same camera and the same settings at the exact same time with the same lens, so I loaded up two Pentax MX cameras with a pair of SMC 50mm f/1.7 lenses. This means if you want to shoot it under tungsten or florescent lights indoors, you’ll need to add a filter or do some color correcting in post.Hi Nikka! I guess 1 euro more or less per roll isn’t going to influence your choice too much, but for my uses Gold fits the bill.So, I had used Kodak Gold 200 since the dawn of time and I’ve never tried Fujicolor C200. When I did so, the grain and contrast in the results were all good.Then there are the three I always see that don’t. But that also means its grain is quite fine and not as perceptible as faster films.I would also suggest getting the largest scans available to you from your lab so that you have plenty of freedom to enlarge and crop and still maintain the film’s fine grain. Kodak Gold 200 is great film for bright or partly sunny conditions. This makes it ideal if you’re just starting with film photography yourself.For what these shots are, which is a bunch made on a casual afternoon walking around my neighbourhood, and for the price of the film they were shot on, I can’t be unhappy with how they came out.The only question to ask yourself when deciding whether to use Kodak Gold film for your street photography is if you want this look. None of them are epic, but you can definitely see the difference in film stocks.
I've found Gold 200 to actually be quite a bit grainier than some current 400 films in Fuji's line-up, but Gold 200 has a nice, long tonal range for shooting in contrasty light. Kodak Gold 200 is a low speed, color negative film that offers the ideal blend of color saturation, high sharpness, and fine grain! I find the Kodak 200 and 400 to be a little more grainier than their Superia counterparts at 200 and 400 respectively. Its cheap and at iso 200 its a good allrounder for old cameras with less shutterspeeds. It is not the ideal film for low light situations but does very well in bright sun. Kodak claims that Kodacolor was "the world's first true color negative film". Overall, it’s a great film to keep handy and use for travel, personal snaps, and even portraits.According to the Kodak spec sheet, Gold is also great for portraits with flash. It has the DX code 512504 and is developed using the regular C-41 process. Third, I believe it has a bit more contrast overall.Nikon has issued a recall of all Nikon F6 35mm film SLR cameras “manufactured and/or sold after July 22, 2019“. Sometimes the rare E100 Ektachrome pops up.